Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism
Identifieur interne : 000165 ( Main/Exploration ); précédent : 000164; suivant : 000166Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism
Auteurs : R. Anderson SuttonSource :
- Journal of Popular Music Studies [ 1524-2226 ] ; 2010-06.
English descriptors
- Teeft :
- American folklore, Anderson sutton, Campursari, Cassette, Central java, Contemporary campursari, Cultural hybridity, Cultural identity, Cultural mixture, Cultural realities, Different hearts, Dwiki dharmawan, Electric bass, Electric guitar, Electric guitars, Electronic keyboard, European instruments, Foreign cultures, Former times, Gamelan, Gamelan encounters, Gamelan instruments, Gamelan music, Gamelan tradition, Gendhing, Gendhing mares, Genre, Guruh, Guruh soekarnoputra, Hannah arendt, Hybrid, Hybrid music, Hybridism, Hybridity, Indonesian, Javanese, Javanese courts, Javanese gamelan music, Javanese scales, Jawa, Krakatau, Kroncong, Kroncong asli, Kroncong instruments, Langgam, Langgam jawa, Mechanical reproduction, Military marches, Military music, Mimetic faculty, Musical practices, Nineteenth century, Sundanese, Sundanese gamelan music, Sutton, Sweet lullaby, Theorizing hybridity, Tonal clashes, Traditional music, Twentieth century, Vocal quality, Western instruments, Western music, Western scale, Wide array, World music, Yogyakarta, Yogyakarta court, Young elite.
Url:
DOI: 10.1111/j.1533-1598.2010.01235.x
Affiliations:
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Le document en format XML
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